Run by people who understand the wedding industry from the inside.
We have shot the day, sat up with the cards at midnight and promised a gallery on a date we were not sure we could hit. That is the job we are built around.
A wedding gallery is a promise made on a Saturday and kept for a month afterwards. Most studios do not lose clients on the day. They lose them in the three weeks that follow.
ProWeddIT exists so that the three weeks after the wedding stop being the riskiest part of the job. You keep the shooting and the client relationship. We keep the culling, the grade and the deadline.
Small on purpose.
We take on a limited number of studios each season so that every gallery gets a named editor rather than a queue position. When the calendar is full, we say so and give you a date instead of an apology.
That is also why we ask for a trial edit before a contract. It is a better way for both of us to find out whether the fit is right.
Three rules we do not bend.
Editors who have shot weddings
Every editor on the team has either photographed or filmed weddings. They know why the frame after the vows matters and why the one before it usually does not.
One editor per studio
You work with the same person each time. They learn your gallery, your presets, your dislikes, and stop asking the same questions by the third wedding.
Nothing subcontracted in the dark
Your files are not passed down a chain. They go to your editor, they come back to you, and they are deleted thirty days after delivery.
Behind every delivery
A small studio of editors who have stood at the back of a lot of ceremonies.
If the fit looks right, it starts with one gallery.
No contract first. Send a wedding, look at the trial edit, and take it from there.
No subscription. We edit one of your galleries first, and the trial is free.